25 February 2013

A Royal Affair (Nikolaj Arcel, 2012)

7/10
This is a better story than it is a movie, if that makes sense. It's a history of Denmark that I was certainly unaware of, and the movie does a good job bringing it on screen (faithfully too, from what I understand). I will say that while the movie did everything well, it didn't do anything exceptionally either. Maybe a little bit too long but the story is clearly told, well-acted, and it certainly makes you think. I was satisfied.

Searching for Sugar Man (Malik Bendjelloul, 2012)

7.5/10
A good documentary, even if the "twist" was somewhat spoiled for me and anyone who knew a thing or two about Rodriguez going into the film. While it was an interesting - and pretty crazy - story, I must say I didn't feel the "triumph" or like "standing up and cheering" that the DVD cover promised, but hey. Rodriguez is a great musician and deserves the exposure, and seems like a genuinely nice guy too, so all the better that the accolades are finally reaching him, albeit belatedly.

11 February 2013

West of Memphis (Amy Berg, 2012)

9/10
I've seen the first two Paradise Lost films and read a book about the case but the West Memphis 3 story never stops being tragic and terrifying no matter how many times you hear it. I missed PL3 so I don't know what's in here that isn't in there and vice versa (the release of the 3, obviously), but this does a good job of telling everything from beginning to end and bringing new things to light that I assume most people will be unaware of. It's maybe a little bit too all-encompassing at times and you start to feel its running length, but it's almost always interesting besides. The biggest crime is obviously the murder of the three boys but what makes the whole situation all the more tragic is the fact that a state and a so-called justice system turned three lost lives into six, with the wrongful imprisonment of Damien, Jason and Jessie. God help us as a society if we don't learn something from all of this.

Branded to Kill (Seijun Suzuki, 1967)

8/10
The fruits of the Japanese new wave are seemingly in endless supply. Branded to Kill is one of the most notorious, as it got director Seijun Suzuki essentially blacklisted from the Nikkatsu studio for being too "out there". It's certainly out there (the best of these films are), totally goofy and cool and weird. Maybe it doesn't hit the heights of my favorite, A Colt is My Passport (also starring chipmunk-cheeked Joe Shoshido) or Tokyo Drifter but it's still pretty excellent.