5/10
I'll gamely defend Only God Forgives, it's not a masterpiece on the level of Drive but it's still got enough going for it that it deserves better than it got from a critical point of view. Not so for The Neon Demon. Nicholas Winding Refn's now signature style is firmly in place - mind-boggling costumes, make-up and, well, neon lighting with a great score once again by Cliff Martinez. It's a little more chatty than OGF or Drive, but not by a whole lot. What's disappointing is all this aesthetic is wasted on such a by-the-numbers plotline - the virginal blonde heading to Los Angeles to make it in the cut-throat model industry. It's a little more stimulating than Cronenberg's dive into similar predictable territory a couple years ago with Maps to the Stars, but barely. Refn wrote the movie himself, I just can't figure out what he was trying to get across that hasn't been done a bunch already before. The movie has a cool, totally over the top grand guignol finale that I enjoyed a lot, and I wish the rest of the movie was equally unchained. As it is, it's pretty forgettable aside from some nice visuals.
28 September 2016
The Neon Demon (Nicolas Winding Refn, 2016)
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment